Since the dawn of human settlement, a deep and complex relationship has formed between humans and nature. From ancient times to the modern era, beliefs in the supernatural powers embedded in nature have profoundly influenced our lives, demonstrating that the relationship between humans and the ecosystem holds significant meaning beyond mere material interactions, extending into spiritual and cultural dimensions. Specific places or supernatural phenomena are imbued with sacred significance, often leading to religious beliefs or traditional practices.
Humans are inherently "artistic beings" and "religious beings," and art and religion have been closely intertwined, shaping the flow of culture. Art functions as a "sensory reflection of ideology," projecting emotions, while religion serves as a "spiritual representation of ideology," exploring the relationship with supernatural entities. These two realms act as crucial mediators in the exploration of supernatural relationships.
The exhibition "The Holy Place" investigates the supernatural connections between humans and the ecosystem. Utilizing various media such as textiles, ceramics, and tiles, it forms an organic ecosystem where each element harmonizes to create a space that purifies both body and soul. The flat paintings are deeply related to the core concepts of the exhibition. In ancient civilizations, patterns (motifs) were linked to religious beliefs, and the patterns of the Maya and Egyptian civilizations served as important tools representing natural phenomena and divinity. These patterns symbolize supernatural powers, visually expressing mysterious phenomena. The patterns evoke shapes such as circles, spirals, triangles, and curves, reminiscent of the womb, signifying the cycle of life and a deep connection to nature. The installation features amorphous sculptures containing ritualistic offerings floating on tiles symbolizing water, creating a sacred space.